When I moved to New England where I lived much of my adult life, I spent my summers painting water from the shore. Most of these took place over many sessions, the wind howling around me, tide coming and going, and the comfort of lobstermen’s voices carrying over to where I perched. The light and tide could change so fast, that some paintings had to be finished in one sitting. Even if I photographed the scene, when I got back to my studio, the painting had a sense of presence totally other than a cambera's blink.
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